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We don’t rate movies based just on their artistic value or blockbuster power. Review the ManCave Rating System to better understand our specially-tailored criteria. Click here.
This List is Not All-Inclusive!
Remember that you’re getting movie & TV advice from regular guys with regular lives. The fact that we’re not sitting in front of our computers and TVs all day also means that we don’t have time to review every movie ever made. While this list will continue to grow as fast as we can continue to watch and review movies & TV, we apologize in advance for those we did not get to yet. Rather than relying on it as an exhaustive encyclopedia of movies & TV, though, we hope that you will simply use this list as a source for good suggestions of what to watch or stay away from.
LOOKING FOR A PARTICULAR MOVIE/SHOW?
Reviews are organized in reverse chronological order by the date the review was created. However, you can also check out reviews for particular genres by using the “Categories” drop-down box at the bottom of the page. Also, you can use the “Search” box (also at the bottom of the page) to find a particular movie/show.
Rare Exports (2010)
(R) 1h 24min
Plot Summary: In the depths of the Korvatunturi mountains, 486 meters deep, lies the closest ever guarded secret of Christmas. The time has come to dig it up. This Christmas everyone will believe in Santa Claus.
Director: Jalmari Helander
Writers: Jalmari Helander [written by, and based on the original idea by (as The Helander Brothers)],Juuso Helander [based on the original idea by (as The Helander Brothers)], Petri Jokiranta (dramaturge), and Sami Parkkinen (dramaturge)
CraigMakk: 
(Must See) I recommended this movie in Episode Five. Check out the highlights here.
Serious Jest: (Must See) Once you’re done watching it, find out why CraigMakk and I agreed that this film deserved 4 Zardetto Proseccos during our full-spoiler discussion in Episode Six.
The Purge (2013)
(R) 1h 25 min
Plot Summary: In the future, a wealthy family is held hostage for harboring the target of a murderous syndicate during the Purge, a 12-hour period in which any and all crime is legalized.
Director & Writer: James DeMonaco
Stars: Ethan Hawke, Lena Headey, Max Burkholder
Serious Jest: (Must See) From a strictly artistic standpoint, this is not a great movie. Some of the scenes are hokey, and the character development lacks enough depth to inspire your investment in the protagonists. However, its plot is pretty unique, the socioeconomic conversations it inspires could go on for days, and, frankly, it’s a pop culture icon (as we discussed in Episode 19 of the podcast, and as further detailed in IMDB’s The Purge trivia page, this film has inspired a few major horror maze/experience productions). Hawke manages to transcend the script with his usual intensity, and it’s pretty different to see Headey in such a morally upright and vulnerable role.
Carlos (2010)
(TV-MA)
Plot Summary: Over the course of two decades, an elusive Venezuelan terrorist carries out devastating acts of politically motivated violence.
Cast: Édgar Ramírez; Alexander Scheer; Alejandro Arroyo; Fadi Abi Samra; Ahmad Kaabour; Talal El-Jordi
Serious Jest: (Queue It) The life of Ilich Ramírez Sánchez is extremely interesting in its own right, but the success of this project really depended upon Édgar Ramírez, who rose to the occasion in a remarkable way. Through him, the viewer can see the charismatic, ambitious, inspiring, fiery, driven, obsessed, aggressive, narcissistic, lecherous, hot-tempered, morally and ethically flexible person behind the notorious and fearsome reputation of Carlos the Jackal. One also gains pretty good insight into some of what drives, and the development of, revolutionaries, insurgents, terrorists, etc., and this series begs the question of where the line between those different classifications lies. The project also calls out how instrumental governments have been in the success of these non-state combatants, and the ensuing hypocrisy of such governments in denouncing these individuals once their services lose enough value. Additionally, viewers can appreciate a fascinating account of the development of the Cold War from the perspective of its “front-lines” fighters and in constantly shifting international settings. In sum, this is a brilliant series about fascinating people and subjects, brought to life by excellent actors.
Rising Sun (1993)
(R) 2h 9min
Plot Summary: At the offices of a Japanese corporation, during a party, a woman, who’s evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is called in to investigate but before getting there, he gets a call from someone who instructs him to pick up John Connor, a former police Captain and expert on Japanese affairs. When they arrive there Web thinks that everything is obvious but Connor tells him that there’s a lot more going on.– Written by rcs0411@yahoo.com
Director: Philip Kaufman
Writers: Michael Crichton (novel & screenplay), Philip Kaufman (screenplay), Michael Backes (screenplay)
Stars: Sean Connery, Wesley Snipes, Harvey Keitel
Serious Jest: (Don’t Bother) The actors are capable across the board, but the story is just very cheesy and often predictable, with some of the plot “twists” not developed enough to make sense.
The Middle (2009-Present)
(TV-PG)
Plot Summary: The daily mishaps of a married woman and her semi-dysfunctional family and their attempts to survive life in general in the city of Orson, Indiana.
Creators: Eileen Heisler, DeAnn Heline
Stars: Patricia Heaton, Neil Flynn, Charlie McDermott
Serious Jest: (White Noise) Every once in a while, you’ll get a chuckle out of this show, and there are some insightful commentaries about life in general. However, watching Frankie & Mike Heck schlep through life in their crappy jobs, in their crappy house, and with their ungrateful kids is way too often depressing. After Season 1, I will only be watching further episodes of this show if it happens to come on TV while I’m doing something else. That being said, Heaton and Flynn are charismatic in their roles; Frankie is a much better character than Debra Barone. Also, Atticus Shaffer is an excellent little weirdo.
Man of Steel (2013)
(PG-13) 2h, 23min
Plot Summary: Kal-El, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
Director: Zack Snyder
Writers: David S. Goyer (screenplay & story), Christopher Nolan (story), Jerry Siegel (Superman created by), Joe Shuster (Superman created by)
Stars: Henry Cavill, Amy Adams, Michael Shannon
Serious Jest: (Must See) This is new and improved Superman. Today’s audiences generally don’t care for flawless characters who are all-powerful, morally inpenetrable, and have all the answers to every problem in life. Snyder and company dirty Superman up a bit, focusing on his formative years. You can recognize Nolan’s influence on this film. Viewers get to observe as young Kal struggles with impossible situations to develop his moral compass, as well as to survive battles in which he is the underdog. Theology fans will appreciate the many subtle biblical analogies inherent throughout the movie.
As we discussed in Episode 23, Part 1, of the podcast, not since Christopher Reeve has any actor embodied this role so effectively that it becomes hard to picture anyone else playing Superman, and Cavill does so while changing the direction of the character. Not only is Cavill utterly convincing in his gritty portrayal of Superman’s loneliness, confusion, bottled-up anger, idealism, and loyalty, but he even looks more like Superman than anyone else that has ever worn the costume. Beyond having the strong jaw, cleft chin, and piercing blue eyes, acccording to IMDB, Cavill trained for 11 months to take his already-V-shaped physique to the next level, ingesting five 1,000-calorie shakes a day to bulk up, then dropping to 1,500 calories a day to shred to 7% body fat, all while shunning steroids and working out with Gym Jones trainer Mark Twight until he couldn’t walk out of the gym. Snyder made it a point to include shirtless scenes in the film just to show that Cavill’s hard work on his body was real and not just the costume or CGI.
Who…
…wore it best?
However, at least from an acting perspective, Cavill does not do all the heavy lifting by himself. The rest of the cast is top-notch. As also discussed on the podcast, Shannon established his own intense and unyielding interpretation of General Zod. Adams portrays Lois Lane as a combat journalist, which gives the character a very different dynamic than the passive, helpless cheerleader that she has been in the past. Russell Crowe, Ayelet Zurer, Diane Lane, and Kevin Costner not only make you care about Superman’s parents through their charismatic performances, but their characters are also legends to the map of Superman’s psyche, through which you can recognize aspects of his personality and moral code.
The visual effects in this film are stunning. They are everything that you could ask for in terms of big explosions, mind-blowing CGI, and breathtaking scenery. Krypton is its own character in this movie.
My only disappointment was that some hokiness was present throughout the film, beyond what is inherent in a comic book. For instance, it is silly to have a school bus full of kids plummet off a bridge, hit the water, and cut to every kid in the bus still sitting in their seats, unharmed; the impact with the water would have resulted in numerous injuries and kids flying all over the bus.
The Amazing Spiderman (2012)
(PG-13) 2 h, 16 min
Plot Summary: After Peter Parker is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent’s mysterious death.
Director: Marc Webb
Writers: James Vanderbilt (screenplay & story), Alvin Sargent (screenplay), Steve Kloves (screenplay), Stan Lee (based on the Marvel comic book by), Steve Ditko (based on the Marvel comic book by)
Stars: Andrew Garfield, Emma Stone, Rhys Ifans
Serious Jest: (Worth Watching) As we discussed in Episode 23, Part 1, of the podcast, we love the Spiderman character, and Garfield not only does him justice, but he also presents a unique and charismatic version of Peter Parker that is even more interesting than when he dons the mask. Emma Stone brings The Girlfriend Experience, making Gwen Stacy endearing in her own right, not just because of how much the hero cares for her. Martin Sheen and Sally Field not only make you care about Uncle Ben and Aunt May, but they show you aspects of Spiderman that Garfield can’t by himself. Denis Leary really manages to walk that fine line between pompous jerk and loyal protector right into the viewer’s heart. In short, the acting is phenomenal.
Unfortunately, the storyline is nothing special, and the movie is too often unnecessarily hokey (Really? Is it that easy to break into a high-security lab with genetically unstable spiders?), which conflicts with the film’s more gritty tone. This film feels more like a background setup for sequel, which I have yet to see, but which I’m hoping will take the franchise to the next level, like Captain America: The Winter Soldier did for its franchise.
Gridiron Gang (2006)
(PG-13) 2 hrs, 5 mins
Plot Summary: Teenagers at a juvenile detention center, under the leadership of their counselor, gain self-esteem by playing football together.
Director: Phil Joanou
Writers: Jeff Maguire, Jac Flanders (film “Gridiron Gang”)
Stars: Dwayne Johnson, Xzibit, L. Scott Caldwell
Serious Jest: (Worth Watching) An inspiring true story. As you see in the credits, a significant number of movie quotes came straight from the real Sean Porter, who appears to be white. I guess Hollywood wanted to avoid the white-savior trope, but given how great this real-life story is, they didn’t need to reverse whitewash it…then again, Johnson played the hell out of this role (even if it’s not a huge stretch in range). And if you are a football fan like me, there was plenty of action with good camera work to maximize your enjoyment of the games.
Changeling (2008)
(R) 2 hrs, 21 mins
Plot Summary: A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Director: Clint Eastwood
Writer: J. Michael Straczynski
Stars: Angelina Jolie, Colm Feore, Amy Ryan
Serious Jest:(Must Watch) The film is set mostly in the 1920s, but the hokiness of some of its scenes (although, according to IMDB, “Virtually every event depicted in the film appears as cited in legal documents, with dialog often taken verbatim from court transcripts”) and its sappy score are straight out of the 1990s. However, all of that is overcome by tremendous acting performances, especially from Jolie (but not Eddie Alderson, who was not convincing as Sanford Clark), as well as by the incredible story, which is mostly true.
I can’t believe that this could happen to somebody. This is yet another frightening example of the dangers inherent in handing over unchecked power to any law enforcement organization. If we do not pay attention to history, we are doomed to repeat it.
Additionally, this story reminds me of the value of today’s technology and social media. While many complain about how much easier it is to invade someone’s privacy, it is also a lot easier to expose corruption. Eric Garner, Sandra Bland, Oscar Grant…these cases are not a new trend developing amongst police departments. This kind of rampant corruption and abuse of authority has existed for long before anyone can remember. But now we finally have the tools to expose them.
And it’s not just the police. As an attorney, I have personally stopped a mental health professional from wrongfully committing a person to a mental health institution over what basically amounted to a petty verbal argument between the doctor and the patient.
Respect to Straczynski for getting this movie made. This is where filmmaking crosses over into activism. If someone just told you the facts of this case, you might struggle to fathom how this would play out in actuality…how many people would have to screw up, be complicit, or just flat out do nothing to perpetuate this evil…and just how many people would have to decide to do the right thing, even at risk to their own career, financial interests, or even personal safety, in order to unf*ck this mess. This movie very effectively portrays how this unfortunate situation could very plausibly go down…and while there are many more checks and balances today to help prevent some of the previous injustices from happening again, perhaps some who would previously dismiss all police corruption and mental health abuse as wild conspiracy theories might have their minds changed just a little bit by this film.
Big Love (2006-2011)
(TV-MA)
Plot Summary: A polygamist and his relationship with his three wives.
Creators: Mark V. Olsen, Will Scheffer
Stars: Bill Paxton, Jeanne Tripplehorn, Chloë Sevigny
Serious Jest:(Casual Watch) I began watching Big Love for the novelty of peering into the life of a man with multiple wives, a trepidatious fantasy that I dare say all straight men imagine at some point (although further daydreaming about it often gives way to nightmares about being outnumbered and overnagged). However, I did not think that I would find a show about Mormons in Utah so interesting after that initial novelty wore off.
Well, it wasn’t long before this series showed me how ridiculous my biases were. The show grabs you with its universally human themes, and it also educates you by shedding light on both sides of explosively controversial issues that are very specific to a relatively small group of people, but nonetheless extremely important enough that we should all be aware of such issues. The storytelling is gripping, featuring: a man who built a small empire out of nothing after being cast out of a polygamist compound and onto the streets; his first wife, who bought into this way of life out of love for her husband but still struggles with her choice; his second wife, whose father is the leader of the compound and is responsible for her husband being cast out; and his third wife, who was not very religious before meeting her new family, but has found the path through her love and devotion to this family. More than anything, the themes revolve around people who are attempting to live what they believe is a righteous life, but having to hide it from the rest of society, lest they be persecuted, or even jailed.
It is hard to believe that the legal controversy over the ability of the State of Utah to not just deny polygamist marriage licenses, but to prosecute polygamists for cohabitation, did not come to a head until 2013 (see Brown v. Buhman). As mentioned above, the show presents both sides of the coin, showing how the cohabitation laws were a useful tool for law enforcement seeking to prevent the wrongful exploitation of young women within polygamist compounds and societies, but also recognizing that a significant portion of people who were just trying to freely and honestly practice their religion were arbitrarily caught in the crossfire. Ultimately, my hatred for pretext laws puts me on the side in favor of abolishing anti-cohabitation laws. We should fight the war against exploitation of young women by changing the laws concerning exploitation of young women to better facilitate prosecution of the traffickers, not by casting a wider net that also ensnares innocent people.
The execution of the above-mentioned superior storytelling was masterfully performed by a strong cast. This is the role in which I saw Paxton go from charismatic supporting actor to natural leading man. All of the actresses playing the wives bring out their character’s individual strengths and beauty, but Ginnifer Goodwin in particular delivers The Girlfriend Experience; she only gets more beautiful the more you watch her. And before she became a fantasy woman, Amanda Seyfried was soft-spoken teenage girl Sarah Henrickson, who expressed the turmoil shouldered by the children of polygamists through her big, blue-grey, brooding eyes.
Then
Now
